IROCKIROCKIROCKIROCKIROCKIROCKIROCKIROCKIROCKIROCKIROCKIROCKIROCKIROCKIROCK!!!! Dragonball Z Budokai Tenkaichi 2 -The New Mechanics- PS2 ---------------------------- by Lee Cook aka ZeroAnnihilated ---------------------------- Copyright 2008 Lee Cook ----------------------- Date 7/1/2008 --------------- I Intro II Controls/Buttons III Basic Mechanics -Basic Movement -Basic combos/techniques -Advanced combos/techniques IV Advanced Mechanics -Basic combos/techniques -Advanced combos/techniques -Advanced Movement V Special Thanks VI Conclusion VII Legal/contact information ------------------------------------------------------------------------------- I. Intro -------- Hi, my name is Lee. I am going to explain to everyone how to understand the basic and advanced mechanics of the game. You see, there are basic and advanced combos and techniques that branch off of the basic mechanics of the game. This is what everyone is used to. Through much practice, I have unlocked more potential in this game than anyone has before. I have discovered the advanced mechanics of the game. Branching from this will then be the new system of combos and techniques. So even the most basic of new combos will be superior to the more advanced combos branching from basic mechanics. I hope I confused you with this introduction and I hope you have fun following my aimless mind. ------------------------------------------------------------------------------- ------------------------------------------------------------------------------- II. Controls/Buttons -------------------- R1 = Ascend R2 = Descend R3 = Transform L1 = Lock on L2 = Power up X = Dash O = Block Tr = Ki Sq = Attack U = Up D = Down L = Left R = Right ------------------------------------------------------------------------------- ------------------------------------------------------------------------------- III. Basic Mechanics -------------------- The basic mechanics of the game are very simple. They allow you to fight the way you were intended to. This is why there is a moves list in the pause menu. Everything you need to know in order to have fun in the game is at your disposal but fun doesn't grant you victory. It's quite the other way around is it not? Still, you will need to know movement and the basic and advanced combos /techniques that go with the basic mechanics to learn the advanced. So... First and foremost, in order to do any more to your opponent, you must be locked on. This is performed by pressing and holding L1 while near your opponent until your sights zoom in. Let's get started --Basic Movement-- Direction: Basic movement whether it be forward, back, left or right is performed by using the Left Joystick or using the D-Pad on the controller. When one of these directions is pressed, the character will move in that direction. This is good, if your character did not go in these directions, this guide would be of no use to you. Dash: The dash is performed by pressing X and any direction. As apposed to simply moving in the direction preferred, your character will move at a more accelerated rate. Since most characters have the ability to fly, this movement will be somewhat of a hovering "dash-like" movement. Therefore, when you dash with a character with flight capability, this will leave the character in a hovering pose. When performing a dash, you can hold left, forward, right, back, or neutral. When you dash with a neutral direction, your character will dash towards your opponent(assuming you are locked on). If you are too close to your opponent however, pressing X and any direction will no longer be a dash. Each character has a distance limitation when it comes to the dash. If you are too close, your dash will become a sidestep, step in, or a backflip. Ascend/Descend: The default buttons for ascension and descension are R1 to ascend and R2 to descend. If you are already grounded, simply pressing R1 will make you jump. This can be of use because some abilities your character might posess may only be accessed in jump mode. To stay in the air, simply press R1 or R2 while in jump mode. Once again, this only works for characters that can fly. Once in flight mode, you can keep ascending towards the limit of the sky by simply holding R1. To descend as you may have already guessed, simply press/ hold R2. So it may be understood that as far as the basics go, R1 is apposite R2. However, like the dash, if you are already airborne and you press R1/R2 when you are too close to your opponent, you no longer have the free feel of your movement. Free Ascension becomes a short hop upwards, free descension becomes a short drop downwards. Dragon Dash: To invoke the Dragon Dash, you simply hold your charge button(L2) and dash in any direction. The dragon dash is like a dash but more accelerated and more intense. This technique may allow you to get out of sticky situations as well but everything that revolves around the Dragon Dash comes at a price of Ki. In order to do a Dragon Dash, you must have Ki. If you continue to Dragon Dash until your Ki is drained, your character will stop Dragon Dashing him/herself. The limitations of this technique are not swayed by the distance between you and your enemy like the normal dash. Dragon Ascension/Descension: Like the Dragon Dash, you will be using the L2 button with this. To Dragon Ascend or DA, hold L2 and press R1. If you are grounded, DA skips past jump mode and shoots strait for the sky. Dragon Descension is performed the same way but this time you would press R2 instead of R1. Also like the Dragon Dash, this technique requires ki. So be careful. The limitations of this technique are not swayed by the distance between you and your enemy like the normal ascension/descension. --Basic combos/techniques-- Combos: The basic combo is called a "combo set". (remember this) The combo set consists of 5 or less buttons, Starting with Sq and ending with one of three outcomes. A simple sq: Sq, sq, sq, sq, sq^ A charged sq(in any direction): Sq, sq, sq, sq, hold L+sq^ Tr(up/neutral/down and for some characters, Left/right): Sq, sq, sq, sq, D+Tr^ (chargable) The unique feature about the "Tr" combo set is that depending on how many punches you throw before hitting Tr, you may get a different outcome. For instance: Sq, sq, sq, Tr may have a different outcome than Sq, sq, Tr. Some combo sets ending with Tr can have very flashy endings by simply adding the right ingredients. Examples: -Sq, sq, sq, U+Tr, X, Tr, sq, sq, sq, sq, Tr^ -Sq, sq, sq, sq, D+Tr, Tr, Tr, sq -Sq, sq, sq, Tr(ending with gut punch) Tr, Tr, sq. (not for everyone) -Sq, sq, sq, Tr(ending with Ki Cannon charged) Tr. (not for everyone) Techniques: Each character has a pocket of special moves. The most basic of special moves is the Ki blast. This is acheived by simply pressing the Ki button(Tr). The Ki blast can be charged into a more powerful form of the regular Ki blast. The power that allowes you to do so is gathered by pressing the L2. Though not all characters are the same. Androids have to wait for their power to gather over time. The more powerful of the basic techniques are their B1's, B2's and UB's. B1 = Blast 1 B2 = Blast 2 UB = Ultimate Blast The B1 is performed by one of two ways. Holding L2+O and L2+U+O. Possibly some of the most useful abilities lie within your B1. This power comes from your blast stocks. These stocks are found within the blast guage that has the appearance of little blue balls next to your power bar. This ball will have a number in it and will continue to rise as the fight continues. These attacks can differ depending on which character you use. Some characters have explosive waves, some have instantanious transmission, some even allow you to reach full power. It all differs, but each can be thrown into almost any game plan you might have in store. The B2 is performed by one of two ways. Holding L2+Tr and L2+U+Tr. This can range from a beam/volley/power ball/super explosive wave to a rush attack. Some of which(depending on which character you choose) might be unblockable. Rush attack = Attack of which your character flies towards the enemy at an accelerated rate and begins an animations sequence of beating him/her senseless. The rush attack can not be blocked by simply holding O. A small list of defense relating to the rush attack: -Power blocking(O+Tri) -Your own rush attack -Dragon rush(L2+X) -Blast/volley/powerball/Super Explosive Wave -Dip/"step in"(explained below) -Teleport/"high speed movement"(explained below) -Explosive wave/Android Barrier -Instantanious Transmission -Charged punch(must be timed correctly) -A flurry of punches(must be timed correctly) -Using an afterimage related B1. The UB is the move that the character is "known for". For instance, no one is known better than Goku when related to the spirit bomb. In most cases, this will be the most powerful move your character holds. This is performed by first acheiving full power. Full power = Holding L2 until power has reached full and is glowing blue. (Can only be done when at least 1 blast guage has been filled.) Then after reaching full power, hold L2+D and press Tr. An UB will leave your opponent lost. --Advanced combos/techniques-- Combos: These combos play off of the basic ones. To reach a full combo, you will be connecting several combo sets into one long string of attacks. To do so, you will need to learn the "step in"(Or Dip as I like to call it). Dip = A movement in the form of a dip when near your opponent that leaves you temperarily invulerable to hand contact. Good for evasion and covering small but needed distances. This is performed by pressing X while near your opponent. The second combo set= You may notice that after tapping the Sq button 5 times, the last punch will push your opponent out of arms reach, keeping you from persuing your enemy. While your enemy is pushed out of reach, he/she is also stunned for a second. This is how you connect your first combo set to your second. Make sure that the combo set ends with a sq, so you can follow up with pressing X to close the gap and proceed to unleash your second combo set. You may notice that when you are in your second combo set, your character is not throwing the same kind of punches/kicks as he/she was in the first. This is because your punches and kicks in the second combo set are actually more powerful in your second combo set. See the importance of learning? Which brings me to my next point. There is a small bar right next to your radar on the bottom right corner of the screen. This bar will begin to start flashing when your punches fly. The more punches you land, the faster this bar will flash. The faster, the better. When the bar is not flashing at all, it takes a longer time to charge and unleash a fully charged punch. When the bar is flashing like crazy, you charge and unleash your fully charged punch a lot faster. This is a lot harder to evade than a punch they see coming. So logically, a charged punch at the end of your first combo set is not going to be as fast as a charged punch at the end of your second combo set. Unfortunately there are only 2 combo sets in a combo relating to the "step in". If you ended the second combo set with a Sq, this will simply send your opponent spinning to the ground out of dipping reach. The more confusing your combo is to your opponent, the better. Which now leads us into the high speed movement(or teleport as I like to call it) Teleport = There are 2 main ways to perform a teleport. Offensively and Defensively. In this particular section, I will be explaining the offensive strategy. To perform offensively, press O and any direction while in the act of performing a combo set. The main purpose of using the offensive teleport is to gain more accurate positioning. The enemy can not block if you are attacking him/her from the rear. Example: Sq, sq, L+O, Sq, R+O, Sq, Sq, X.... Keep in mind however, the offensive combo set teleport requires Ki. No Ki = no teleporting during combo sets. Reminder- The enemy can not block if you are attacking him/her from the rear!! The defense to a teleporter= Sometimes you'll come across someone who will continue to teleport in efforts to catch your rear. A defense to such an assault would be to hold back and guard. When you hear your opponent teleport, let off block but keep holding back. Your character will turn to the position where the enemy will appear and immediately hold block again. Techniques: You already know how to perform the B1's, B2's and UB's. Now I am going to help you understand when the right time to use them would be. I am going to explain different strategies that "usually" work and others that always work. Rule #1: Never underestimate your opponent. You must assume he/she is great until he/she proves otherwise. But for the mere joy of the game, this is a list of things you might do. - If you see your opponent is about to blast you with a Kamehameha and you wish to battle with him/her for it, blast a Kamehameha right back at him/her. You must win the struggle if you are to hold the victory. This is acheived by rotating the joy sticks in a circular motion as fast as you can and hope you did better than the enemy. - If your opponent has used an explosive wave and is stuck in that position, (depending on character) you will have a free blast. Keep in mind, some characters have explosive waves that nullify your blast. *usually works. - When you hit your opponent with a flurry of ki blasts, they have few choices. They can either: 1. Hold block- In which case you can fire an unblockable at them/rush attack. 2. Get hit by blasts- In which case you can fire any beam/powerball/volley/rush attack. 3. Begin to deflect the blasts- In which case you can fire any beam/powerball/ volley/rush attack. 4. Use explosive wave- In which case you can fire a beam/powerball/volley. *usually works. 5. Use an afterimage related attack- In which case you may want to blast a beam/powerball/volley. No sense in rushing in and getting too close to someone you can't hit. 6. (While in air) hold left/right and then R1/R2- This is probably the best strategy for "avoiding" the ki blasts. -When you just hold left/right, your character takes a posture that is a much bigger target(covers more area)... when you press R1/R2, your character poses vertical. The Ki blasts will pass right behind you. Just remember to make sure you are out of "step in" range. This does not work against every enemy because each opponent is different and shoot different types of Ki. 7. Try to run- This is another defense for the Ki blast but is a strategy used by chumps. At this time you may begin to verbally taunt them for running like a coward. The fact is, if the opponent has to deal with the flurry of Ki blasts, they are stuck in that position until the attack is over. This does not mean that you have no choice but do deal with ki blasts when they are fired at you. The only characters this doesn't apply to are characters too strong for Ki blasts to effect. Legendary SSJ Broly is a perfect example. Also if your opponent has reached full power, most characters will have the same defense. - If you send your enemy flying in a straight direction from a charged punch or throw, this can be followed up with a beam/powerball/volley/rush attack. *usually works. - When your enemy is dizzied, this will leave him/her open for a beam/power ball/volley/rush attack. More on the Dip/Teleport: Dip = The "step in" is one of the most important moves in the hand to hand combat. As reported above, the dip leaves you invulnerable to hand contact. That means that if someone is about to hit you with a charged punch, all you have to do is hit X at the right time. You will sway right out of his swing. This move is also useful when someone is trying to grab you. Though pressing block at the right time will also defend against grabs, the timing for pressing the block button is a lot more strict than a simple dip. This movement is also a great tactic of defending against a rush attack. Just make sure the opponent is close enough to you, otherwise you will dash right into his/her onslaught. The difference between a dash and a dip is easy to comprehend. Each character has what I call an invisible "bubble" around them. The area of which their hand to hand combat lies within. To understand the circumference of the bubble is simple. Go into practice against a non threatening cpu and practice distance judging between a dip and a dash. This bubble really relates to the size of your character. Once you understand the circumference of the bubble, it will be much easier to react to an incoming rush attacker once your bubble has been invaded. The dip can then be followed by a simple flurry of punches or even a Ki based attack using the Tr button. I read in an FAQ written by Sean Langhi stating "This is the one technique that sets apart newbies from experts." I agree completely with this statement so you might want to pay attention. Teleport = The "high speed movement" is not only one of the most important moves in hand to hand combat, but throughout the game entirely. If timed correctly, this move will allow you to evade moves such as charged punches/ ki based attacks/blasts/beams/volleys/explosive waves/super explosive waves/ and yes, even rush attacks. As reported above, there are two main ways to use the teleport. Offensive and defensive. Remember that the offensive usage requires ki(and I strongly recommend equipping a z-item for such an occasion - Abandonment Essence). The defensive teleport however, does not. To understand the defensive high speed movement, you might relate back to the dip. Though the dip has a bubble circumference relating to the size of your character, the teleport bubble relates to the power of your character. But don't be fooled, even the weakest of characters still have a bubble. It's all about timing. So in essence, the performance of a defensive teleport is quite similar to that of the dip. The main difference is that the teleport relates to the opponents attack, whether it be by his/her hands or the blast related attack he/she can execute. Rush Strings= A rush string is somewhat self explanitory but requires certain characters. I actually wasn't the first to think of this. I was wacthing something on Youtube and it gave me some ideas. A video sent in by ShoryuuReppa included Videl conducting a series of rushes, one right after the other. Somewhat linking them together. I haven't found anything explained about it so far so I thought I'd let everyone in on it. The following technique will require a decent deal of Ki so I would recommend using either a halo or majin seal. Unfortunately as I said earlier, only certain characters can perform this strategy. Your character must: 1. Be able to transform from base form to higher power, then back down to base. (At the very least be able to transform to higher power) 2. Have a rush in more than one form. Now that we have this established, lets get into the explanation of the rush string. We shall use Goten for this example. Goten's base form has a rush and so does his Super Saiyan form. What a lot of people overlook is that when you transform, time stands still. So what we will want to do is rush the enemy and immediately transform. You may notice that when you are done transforming, your opponent is still being sent away from your previous rush. Realize now that when you come out of a transformation, you are immediately able to do any B1/B2 you choose... as long as you have the power to do so. Since transforming requires 1 blast stock per transformation (for Goten), you may want to wait until your blast guage is completely filled with stocks. So, as you may already understand... you will be rushing, transforming, rushing again and then transforming back down to base to start the string back over until you have no power left. Now that the explanation is complete, lets move on to the rush categories. With practice, most of these can be used in a rush string. Rush categories= -Beginnings(speed/length) Rush 1. This rush is extremely fast but covers short distances. This rush can not be directed from left to right, it is a strait burst. Rush 2. This rush is a bit slower but covers a longer distance. This rush can be directed and would be considered an average rush. Rush 3. This rush is even slower, but covers a great length of distance. This rush can be directed but the opponent will have a better chance to defend. -Middle(positioning of assault) Rush 1. This rush is always done in a particular part of the board. So in essense, the wall will never get in the way. A good example of this would be SS4 Vegeta's rush. These make it much easier to string along. Rush 2. This rush is performed wherever the fighting took place. If you were right next to a wall, the rush may throw your opponent into the wall. This rush makes it a bit harder to string along. -Endings(which direction the rush will throw the enemy) Rush 1. This rush will send the opponent flying upward. A good example of this would be Kid Buu. Rush 2. This rush will send the opponent flying straight. A good example of this would be Goten. These make it much easier to string along. Rush 3. This rush will send the opponent flying downward. A good example of this would be SSJ Goku. These are hard to pull off but it is possible. You will have to mix and match these to find a character good for you. A character like Goten who has a match of Rush 1, Rush 1, and Rush 2 is really good to use. You can use this strategy from any part of the board. A character like Kid Trunx however who has a Rush 2, Rush 2, Rush 3 may need some practice. You will need to wait until he is really high in the air to perform this technique, for each time will send your enemy lower and lower. Once he/she hits the ground, the string is over. A good example of Goten performing this technique can be found at this site: http://www.youtube.com/watch?v=MJACGl116ZY This technique can be used for people who have to transform up twice to get to another rush. It can even be used for people who have to fuse. Just remember that once you fuse, you can't continue the string. Counters= There are several ways to perform a counter. Countering can be used offensively and defensively. Always remember that the counter comes from the O button. These counters can range from a simple backhand/kick to the face to a grab and for some characters, high speed movement. Keep in mind now that a counter stance is only effective against regular melee attacks. In other words, a charged punch or heavy hit will ignore your counter and knock you silly. Rush counter = The rush counter comes from doing pressing O while in the middle of a combo set(does not matter which combo set). Using this counter would be useful to confuse your opponent and somewhat baiting him to punch you at the wrong time or if your punches are clashing together at the same time, a coutner stance will give you the advantage. Dip counter = The dip counter relates entirely on who your character is. This is performed by pressing X while inside the "step in" bubble and then pressing O. Some characters take a counter stance while others simply sway in the case of a second attack to dodge. Must be within the "step in" bubble otherwise you will dash. Sidestep counter = This is usually relating to the backhand/kick to the face and the grab. This is performed by pressing left/right+X while inside the "step in" bubble and then follow it with O. Backflip counter = I personally have not caught myself in a situation where I would need to do this but just in case you do... This is performed by pressing back+X and follow it with O. Lift Strike counter = There are four ways to finish the Lift Strike combo. This counter will only work on two of these ways so you will have to keep your eyes open. Combo 1- Sq, sq, sq, sq, up+Tr, X, Sq, sq, sq, sq, sq (counter works) Combo 2- Sq, sq, sq, sq, up+Tr, X, Sq, sq, sq, sq, Tr (counter works) Combo 3- Sq, sq, sq, sq, up+Tr, X, Tr, sq, sq, sq, sq (coutner not work) Combo 4- Sq, sq, sq, sq, up+Tr, X, Tr, sq, sq, sq, Tr (counter not work) You may see the difference. in order to perform the Lift Strike counter during the first 2 combos, you must hold Up and press O at the exact timing of the Sq following the X. If done correctly, you will smack the opponent away. Combos 3 and 4 must be avoided via defensive teleport. ------------------------------------------------------------------------------- ------------------------------------------------------------------------------- IV. Advanced Mechanics ---------------------- I hope you read everything above, because much of what has been covered already may be reintroduced into the following strategies. First and foremost, to do some of the following combos/techniques, you should equip your character with the z-item "Abandonment Essence". No, not every combo/technique will require this but it's a good idea so you won't get confused later. Now... to fully understand these strategies, first get it into your heads that everything we do begins and ends with the hit counter. Hit counter = The hit counter is the counter that shows up when you begin to attack your opponent. The number of hits will be shown along with the damage your attack is unleashing. No one pays any more attention to this other than how many hits they got in a combo so they can show their friends. Which is nice but water under the bridge. It is easily understood that the hit counter lets you know when your combo has begun and when it has ended. This will be the building blocks of your new strategy. These new combos/techniques will require you to observe things you never did before. For instance... when you fight this way, make sure you pick a character that is shorter than your opponents. Does not have to be to the extreme but for example, I would use Majin Vegeta when facing SSJ3 Goku. To be honest, my most dangerous character would be SSJ Kid Trunx, yet he only has 2 to 3 bars of life. --Basic combos/techniques-- Combos: This little number is actually one of my favorite tactics to use because it turns opponents into controller throwers. Remember, fun doesn't grant victory. Then again, it all depends on what you call fun. I came across this performance peice while in my room just messing around at complete randomness. I call this the Ground and Pound(G&P). People who can not fly can not perform the G&P. Your character must also be able to inflict physical damage to the enemy. If your punches do nothing, there is no combo. For example, kid Gohan is unable to G&P Legendary Super Saiyan Broly. Know your characters and for that matter, know their B1's. Some characters may have ways of making themselves unphased by hand contact such as saiyan soul. When you are high in the air and you are performing a combo set and press R2 after 3 hits, what happens? You descend through the air. No one uses this because it does nothing but allow your opponent to capitalize and take advantage. You leave yourself open, especially against a skilled enemy. The same can be said by pressing R1 for that matter. Here's the kicker... If you were to apply the exact same deal on the ground, your character has no where to descend to because you're already grounded. This does not go so far as to say it has no effect on your character. You may notice that when attacking, your feet aren't exactly planted on the ground. You actually begin to hover slightly above the ground. So when you press R2 in the middle of a combo set, your feet simply plant themselves. Realize now that everytime you plant your feet, you can start your combo set over. So now in this moment of realization, you may be thinking "Hey, I bet I could keep repeating that over and over." You'd be correct, but keep in mind that you must do this in the middle of a combo set. In order to keep it fluent, you may need to negotiate anywhere between 2 punches and 4 before pressing R2. Each character has their own way of doing this strategy. Examples: Kid Trunx - Sq, sq, sq, R2, sq, sq, sq, R2, sq, sq, sq, R2... and so on. SSJ Sword Trunx - Sq, sq, sq, sq, R2, sq, sq, sq, sq, R2, sq, sq, sq, sq,... and so on. Once you've practiced enough, you'll get to the point when there is no recognition of when you pressed R2. You won't even see your character plant his/her feet between inturrupted combo sets. Once you've got the timing down the game will assume the character's feet have touched the ground and let you do the trick. You won't even recognize the inturruption. It will simply be a continuous onslaught of Sq related attacks. However... though this combo strategy may seem like it is an ongoing attack. It is inturrupted and can eventually be blocked. Still, as far as timing is concerned, your attacks will be completely fluent. This is why catching your opponents back is so important. As I stated above, the enemy can not block if you are attacking him/her from the rear. Each punch will occur in the exact spacing as the next. So in essence: Kid Trunx's - Sq, sq, sq, R2, sq, sq, sq, R2, sq, sq, sq, R2 will look exactly like - Sq, sq, sq, sq, sq, sq, sq, sq, sq. Or for that matter, here's an example of what SSJ4 Gogeta's G&P looks like. http://www.youtube.com/watch?v=rv8fuD2k3cM The only way to use the Ground and Pound on an ape is to be an ape yourself. If you were an ordinary character and tried to G&P an ape, you will descend too far as if you were in a flight battle with a regular opponent. Though the Ground and Pound can be performed by the ape, remember that apes only get one combo set. So once you finish the combo set off, that's it. As I stated above, each time you press R2 you begin a new combo set. This means that each 3 punches you throw will be the same 3 punches you thew before, but who cares? It all feels the same to the enemy. At any time during this combo strategy, you can throw in a Tr(kai cannon/gut punch/etc...), U+Tr, D+Tr, or a charged punch. The randomness will make the defense(dip/ teleport) very hard to time. The explanation as to why you must pick a character shorter than your opponents is because if your character is taller, your feet have almost no choice but to already be planted on the ground when doing a combo set. So pressing R2 would have no effect and therefore further pressing Sq will finish off the combo set. Though I came up with the strategy alone, it was actually my roommate who came up with the name for it. Since you have to be on the ground to perform this combo, he thought the perfect name for it would be the "Ground and Pound". When it comes to the Ground and Pound or G&P, characters fall into one of 2 categories. Those who are fast and fluent enough to do so, and those who are not. For instance, some characters may just be too tall. Some characters may be too slow. Some characters are generally fast but have too many stalls in the nature of their combos. It's not their fault, I'm sure they're still good at the basic mechanics. So in order to pull any good G&P, it takes practice. Practice includes using different characters in many different scenarios. It's much easier to do a G&P attacking uphill than it is on a flat surface. For that matter, going downhill is one of the very few problems you may come across. There is only 1 sure way to defend against someone who is using the G&P. That would be the android barrier that brushes off beams as well. Otherwise, if you G&P someone and they use a simple explosive wave, you'll get up faster than they can recover. At which time you will have a free shot at unleashing your own Kamehameha. As I said before about the hit counter being related to this... you know you are doing the G&P correctly if the hit counter keeps rising. I've seen many videos of people getting 99 hit combos using practice mode's free power giving nature to use the same combos followed by rush attacks. This would not work in an actual battle. I've seen videos of people using characters like SSJ Sword Trunx going full power (while having 3 blast guages saved up) and unleashing endless flurries of punches until time runs out. Then engaged in the blast guage Full Power technique to continue the endless flurry of punches until the hit counter reached 99. Once you master my new techniques and combos, you'll realize that this feat can be accomplished with ease while eating a sandwich and having an in depth conversation with your friend. All simply by using the G&P. As long as you remember that it must be done from behind your enemy. You may also notice that the small bar next to your radar will continually flash for the duration of your G&P. This strategy is full proof and can be done in a combat situation with any "champion" you come across. I personally have had encounters with people who had perfect timing and were on their game. Truth be told, they were probably more ready than I was. But it was all in vain. Superior knowledge will bring you victory in every battle you engage. Techniques: - When you press the Tr button in the middle of a regular combo set, what happens? You end your combo set with a move like a Kai cannon or gut punch. When you are performing the G&P, what do you think happens after you press R2? You may have guessed it. Since R2 starts the combo set over, pressing Tri will simply start shooting ki blasts at the back of your opponents head. This can be used to continue the combo or end it. If you only throw a few ki blasts and begin punching again, you'll continue your combo. It won't even effect the hit counter. However, if you throw too many Ki blasts, it will push your character further away from you. Be careful with this technique as well. For when you connect with your ki blasts, it not only pushes your opponent away, but pushes him/her upwards as well. The further away from the ground you are, the more of a risk you put on the chance that your ground and pound will stop working. Get too far up, and R2 will descend you. - Same deal as above, but for characters that have a Super Explosive Wave. I will not guarantee that this will work. The Super Explosive Wave can be evaded using the defensive teleport. Understand that the super explosive wave actually sends out 7 waves. If your enemy has the correct timing, he/she can teleport all 7 times without being harmed and leaving you open for attack. So though this strategy is nice if you pull it off,(and most of the time you will) it is not full proof. - Same deal as above, but for characters that have a normal explosive wave. This move is not advised simply because it leaves you open for attack. However, in the rare case(but not as rare as you think) that you have G&Ped your enemy into a wall... they'll be somewhat stuck between a rock and a hard place. (Must meet wall at perpendicular angle.) --Advanced combos/techniques-- The hit counter will play a very large part in the following strategies. It will somewhat become a part of you. At every moment of your onslaught, the hit counter will become more and more clear in your peripheral vision. Once this is mastered, what once seemed random will then become completely planned and with perfect precision. I assure you, you will read this section more than once. Combos: We have gone over the G&P in the basics of Advanced mechanics. This is where we will begin. The second combo set= Easy enough to understand, while doing the ground and pound in the first combo set, (though you start it over time and time again with R2) you can finish a combo set off and "step in" for the second combo set. As you begin your second combo set, you may realize that the punches/kicks are different from your first combo set until you hit R2. Everytime you hit R2, it not only restarts the combo set, but it believes you are in your first. So it will still look like you are in your first combo set. However... since the hit counter keeps going, you will still be in your second combo set(while throwing punches from your first). Strange! Unfortunately... though punches/kicks in your second "natural" combo set are stronger than your first, your G&P keeps your attacks just as strong as if you were in your first combo set. This doesn't matter because the ammount of damage you're doing is without bounds. But it's something to help with the understanding of these mechanics. If at any time you mess up and the hit counter starts over, you must recognize this as you have started your entire combo completely over and have earned yourself another dip. Do not slow your punches down to start the hit counter over in attempts to earn another dip. We will get to that in due time. The second combo set is not any more powerful than the first, but in my opinion, it's a good way to taunt your enemy. Acting like you messed up only to have regained your position with a "step in" is enough to get a *sigh* out of just about any competitor. Teleport+Attack(Telattack)= When in your first combo set of a G&P, using an offensive teleport is good for better positioning but that's about it. To be honest, this is probably the best opportunity to use the teleport because you have an endless supply of it. Each normal combo set consists of 5 hits. That's 4 teleports per combo set. If you were to ground and pound while inserting teleports between punches, starting a combo set over and over will give you as many teleports as you wish. This is one of the most confusing strategies any of my foes have come across. It doesn't matter how good they are defensively, with this strategy it is only a matter of time before you have their back. So once again, the goal is to catch the enemy's back where they have no defense. Keep in mind that any time you use an offensive teleport, the hit counter starts over. This does not always mean the combo starts over. For instance, if you punch twice, then teleport, you only have 3 punches left in your combo set. Even though the hit counter started over. The main teleport that matters is in the second combo set. For easier understanding, we will use a combo with two sets from the basic mechanics section. Only this time, we will throw a teleport in there. - A normal combo with 2 sets: Sq, sq, sq, sq, sq, X, sq, sq, sq, sq, sq^ Result = Enemy spirals off into the distance out of dip range and onto the ground. - A normal combo with 2 sets including teleport in second set: Sq, sq, sq, sq, sq, X, sq, sq, L+O, sq, sq, sq^ Result = Enemy is pushed into distance just outside of dip range but still standing. In this particular scenario, this(depending on character) may lead to a third combo set. To follow up to where the enemy has been pushed, hold up and press O. If done correctly, you will teleport forwards all the way up to your still dazed opponent. This particular teleport is not like it's friends. Depending on your character, this teleport might not start the hit counter over. Though this may lead to the third combo set, this is not always good. This teleport is what I like to call the "recovery teleport". Keep in mind that if a full combo has no teleports but has Ground and Pound in the second combo set, the recovery teleport is not possible. When it comes to the recovery teleport, characters split into 3 groups. 1. Characters that are so slow that by the time they teleport up to the enemy, the enemy has already had time to turn around and defend. 2. Characters that are fast enough to keep the enemy's back but allows the hit counter to start over. 3. Characters that are so fast that they teleport up to the enemy and begin punching but the hit counter continues. Character 1 is not qualified for the telattack. Allowing your enemy to defend is not how we crush and conquer. Character 3 has no where to go after the recovery teleport except the ground and pound. The only way to start your combo over is to use an offensive teleport in your third combo set. Since an offensive teleport starts the hit counter over and the third combo set isn't supposed to exist, the game will think you started your combo completely over. Unfortunately, the offensive teleport in the third combo set is much slower and allows your opponent to turn around and defend. Allowing your enemy to defend is not how we crush and conquer. Though ending with a G&P isn't a bad thing per say, it leaves you with less options. Less options doesn't make for a self high-five. Character 2 as Goldielocks would say is just right. I would personally say that Cooler's base form has a great telattack. Since his combo restarts after every recovery teleport, you can do the same Combo over and over with no defense. So in this case, it might look like this: - Sq, sq, sq, sq, sq, X, sq, sq, L+O, sq, sq, sq, U+O, sq, sq, sq,... The only difference in the second combo following the recovery teleport is that the offensive teleport in your second combo set will no longer be L+O, but U+O. Once you have your enemy's back, pressing U+O will make you teleport in place. In a sense, you'll stay put and keep attacking. So, an example of this technique may look like this. http://www.youtube.com/watch?v=95rCE8gnHOg Though the G&P is not the best strategy for using against an ape, they are extremely vulnerable to the Telattack. Their size works against them, just remember to use a character who's punches have physical effect. Combining G&P with Telattack(GPT attack)= This is a very dangerous attempt and should only be done by those who have mastered everything. The reason I say this is dangerous is because it's very confusing. It's so confusing that if used on an opponent, they will then be confused and when they go home to pet their cat... the cat will then become confused. Once mastered, it's not that bad. However... reading this may make you give up. The G&P is fine to use in your first combo set. It has no negative effect on the nature of the beating you are giving your foe. The G&P is fine in the second combo set as well. When you throw an offensive teleport into the second combo set that has the ground and pound, things get messy. Get your peripherals ready because that hit counter is sending you messages like crazy. If you start a ground and pound in your first combo set and teleport, there is no negative effect on your G&P. If you were to teleport in your second combo set, there's two paths to choose from here. If you finish off your combo set, the hit counter will start over and you can initiate your telattack with a recovery teleport. However... if you G&P directly before or after your teleport, the hit counter will start over and recognize that you are starting a combo set over. If you start your combo set over when the hit counter is at 0, the game believes that you started a new combo over. So in a way, you've initiated yet another combo system of no defense. So: - Sq, sq, sq, sq, sq, X, sq, U+O, sq, sq, R2... and repeat. - Sq, sq, sq, sq, sq, X, sq, U+O, sq, sq, R2, sq, sq, sq, R2, sq, sq, sq, R2. ... and repeat. These two combos will have the same effect. Techniques: A true master of the game will now have the ability to merge all strategies. Someone who can fuse the following into one long string of attacks. G&P/ki blasting/Telattacking/GPT attack Can go from that order to complete random patterns. Examples: -Sq, sq, sq, R2, sq, sq, sq, sq, sq, X, sq, sq, R2, Tr, Tr, Tr, Sq, sq, sq, R2 sq, U+O, sq, sq, R2, sq, sq, sq, sq, sq, X, sq, U+O, sq, sq, sq, sq, sq, U+O, sq, sq, sq, R2, Tr, Tr, Tr Tr, Tr, Tr, Tr..... --Advanced Movement-- I was watching youtube earlier today and I noticed someone had come up with something very similar to my Ground & Pound technique for Tenkaichi 3. Though I don't believe the G&P can be performed on Tenkaichi 3, a man by the name of Arierure had added a different operation of using the ascension/descension into the mechanics of movement. The movements that the videos were showing could not be performed in Tenkaichi 2 unfortunately. However, it did get me thinking and back into practice mode. I played around with different ideas until I actually did make a couple things work. So though most of these aren't the same ideas as Arierure's it was his inspiration to get me thinking in this direction. The concept of Arierure's idea is based on pressing Descend/Ascend while in dash mode to cancel the dash animation. The dashes in Tenkaichi 3 are a little different than in Tenkaihi 2. So A lot of the movements in his videos can't be done in BT2. This is ok because I have been looking into it and you won't be disappointed. Flight Cancel: This would be the technique Arierure created. In the middle of a dash, pressing R1 or R2 at anytime will bring your character out of the dash animation and into a fight-ready posture. The differences between BT2 and BT3 are bigger than people think. Some people like BT3's movement mechanics better, others like BT2's better. The deal with the flight cancel is this. In order to perform a flight cancel, you have to be in a neutral dash. So in order to do a flight cancel in BT3, you basically have to be lined up with them and hope nothing the apponent doesn't move out of the way. The reason it doesn't work so well is that in order to persue your opponent in BT3, you have to hold forward. BT2 does not share this "flaw". Once you press X, your character knows to fly towards your target. Furthermore... When you press a neutral dash, you will fly towards your opponent. Pressing or holding attack will make your character(depending on the character) throw or charge a big punch that if blocked/dodged will leave you open for attack. This in my opinion has been one of the biggest weaknesses of an assault. If you were to press a neutral dash and at the instant of impact, press R2/R3 directly before pressing attack... your character will no longer be throwing that big punch, but the familiar flurry of punches you've seen each time you start a combo set. This will seem very familiar to the G&P because you will be confusing the cpu into thinking you can start a new combo set in replacement of something else. Except this time you can do it in the air as well as the ground. The best thing about replacing the big punch with a normal combo set is that you can use teleports. So in essense, you are turning a weakness into a strength. The Fake-Out: This is a technique based off the idea of the Flight Cancel. Since BT2 can only use the neutral dash, this may be a bit harder to pull off... may be easier. I guess it depends on who you are. Pressing a neutral dash towards your enemy and right before impact, pressing left/right and R2 will cause you to somewhat slide to the left/right of your opponent and actually pass them right by. This might seem like a problem because you aren't even facing them and you're in their bubble which means you would have to do a backflip to do any B2 moves. BT2 however might actually be more forgiving of what we can do with this. Explain: When you are in neutral dash mode, you can hold any direction you choose and you will still end up at your target. If you continue to hold that direction when you press R2, you will slide in that direction. So, if you performed a neutral dash and held back before pressing R2, you will slide backwards(right out of bubble boundary). From this particular position, you can move right into a rush attack or blast. This is why it's a fake out. Holding right or left when pressing the R2 will either make you slide around your opponent to the right or to the left. Once you pass your opponent, you can let go of that direction and hold forward. If performed correctly, you should have their back. We all know what to do from here. Catching their back however usually depends on if they were blocking when your initial dash was done. If not, they will turn towards you. If you were to hold back after you pass your opponent, you should then be out of range of the bubble, therefore a rush attack or blast would be encouraged. When in the instance that you do the backwards fake-out while in full power mode, you are already in position to perform your UB. As far as I can tell, the Fake-Out can only be done in BT2. ------------------------------------------------------------------------------- ------------------------------------------------------------------------------- V. Specail Thanks ----------------- This is the part where I thank any and all sites that have posted my Faq and others who have helped warp my mind around these ideas. Sites- GameFaqs.com NeoSeeker.com Gamespot.com Supercheats.com Others- Nick Kowal (Pitching the name Ground and Pound) DarqueAnjul (Opening my eyes to the differences between B1's and B2's) ShoryuuReppe (Showing the video of Videl's rush strings) Arierure (Showing the videos of Tenkaichi 3's flight cancel) ------------------------------------------------------------------------------- ------------------------------------------------------------------------------- VI. Conclusion -------------- I hope this FAQ has opened at least some eyes and has lead readers to victory. ------------------------------------------------------------------------------- ------------------------------------------------------------------------------- VII. Legal/contact information ------------------------------ This document in it's entirety was written by me, Lee Cook. ("ZeroAnnihilated" on the website gamefaqs.com) This would be the part where I talk to you about the copywright. Everything that I have written here must not be used on any site without my permission. I don't think I'd mind at all but just in case, you can email me at [email protected]. This may be not be reproduced under any circumstances except for personal, private use. It may not be placed on any web site or otherwise distributed without advance written permission. Use of this guide on any other web site or as a part of any public display is strictly prohibited, and a violation of copyright. Copyright: 2008 Lee Cook aka ZeroAnnihilated ------------------------------------------------------------------------------- ------------------------------------------------------------------------------- End ---